I’ve learned there are many phases of writing my novel. Some phases are challenging as I struggle to birth the words and scenes that will make my story come to life. And some phases are filled with excitement and joy as my creativity soars and the words spill onto the page without effort.

In this post I’m going to tell you about some of the phases I’ve been through so far as I have been writing my novel, Tuppence Weatherstorm.

Back in early 2016 I was sitting on the train on the way out of the city and gazing out the window. It was a hot and humid day. The sky was mottled gun metal grey and overcast.  The train pulled out of Fortitude Valley and my eyes came upon thee old brick buildings with pointed roofs. The brick work reminded me of a church I’d once seen and then my creative mind was off and racing.

The first character, not the main character, appeared inside my imagination. I opened my iPad and started to type what I saw. I grinned as he formed on the page and the setting grew around him. I had no idea where the scene was going but I knew he had appeared for a reason. And I knew it was the start of a story, so I decided to go for it.

What did I have to lose? Nothing. By giving my ideas space to breathe, I had everything to gain, so I plunged in and wrote as much as I could when I could.

This marked the beginning of the first draft phase of writing my novel.

It took me five months of writing, developing my characters, developing the plot, thinking about internal and external conflicts and considering the treatment I’d use to tell my story. For those who are not familiar with the term ‘treatment’, it means whether I’d write it in first person or third person close perspective.

At the time I was also experiencing a high level of anxiety and creative writing gave me a way to express all the things I couldn’t in my real life on the page.

This was also the ‘no self-censorship’ phase of my writing.

I gave myself permission to write as freely as my imagination would allow. I chased ideas down rabbit holes, filled my manuscript with cliches and wrote it on Wattpad.  This was a great fun phase as I received encouragement from the people who read my first draft as I wrote it and shared it with them. Their kind words and support meant the world to me and it still does. I feel blessed to have their input into my novel.

Once I’d finished my first draft of my novel, I had about 80,000 words and no idea on how to proceed.  I’d never got this far with a story before. So I contacted an editor and asked her to take a look at the manuscript and paid her for her time.

This was the editing report phase of writing my novel. 

It was a time of vulnerability for me which was probably heightened by the extreme levels of anxiety I was experiencing in my personal life at the time. But I sat on my hands and waited for my feedback.

I received the feedback and it was great. I received lots of comments, all geared toward helping me to write a stronger story.  The editing review looked at holes in character, plot structure, conflicts, treatment and theme. It gave me added insight into cutting cliches. Cutting overwriting. Cutting tangents.

I also learned that I was trying to write two stories at the same time. This meant that I was consciously writing a paranormal story but my subconscious was dealing with the theme of anxiety.

I hadn’t seen that in the manuscript and was grateful for that insight as it helped me to consider if anxiety was really the theme I wanted to focus on in the story.

It took me about a two months, nearly three of digesting the comments in the editing report before I was ready to start rewriting. The editing report was one of the most valuable learning experiences I’ve had in the process of writing my novel. I used their feedback to help move forward with rewriting. I took one comment at a time and tried to focus on what they had said and see how I could create a stronger story by using that knowledge.

The editing report comments were gold. Pure gold.

I still return to my editor’s comments because they help me to stay on track and focus so I no longer write tangents into my story.

This marked another phase of writing my novel. The second rewrite. 

It was time to do a thorough rewrite. I had to learn to write stronger verbs. I had to start cutting adverbs by 90%. I had to replace cliches with my original prose and come to terms with cutting all the tangents that did not move the plot forward.

I had to focus and tighten and learn to cut out repetition while shaping the plot around the changes. It was a challenging phase and at times I wondered if I’d ever get through it. This phase was akin to going up a grade and learning at a higher level.

Challenging is good.

But I admit, there were times when my anxiety grew into a monstrous entity in its own right. I had to see my psychologist about it and discuss the way my ‘monkey mind’ attempted to sabotage my creative writing. And that was very helpful.

This phase of rewriting took me about three months of focus. When I finally finished the last chapter, I was so happy. I’d made it. I’d not only written and finished the first draft – the bones of my story, but I’d done it a second time and now it had some muscle.

At this point I entered into my current phase of writing my novel… another rewrite! 

Basically, as soon as I finished my second draft, I circled back to the beginning of my story and started reading and writing again. This time I looked at how I could bring out the secondary characters and write the scenes in such a way as to bring out the paranormal themes.

This is the phase I’m in right now.

So, during the week, I focus on rewriting a chapter at a time. Usually this is on the train on the way to work or going home.  (I travel for an hour and 15 minutes each way and use my time to progress my novel or to read and learn).

Once I’ve added missing detail, brought out the senses and developed character circuitry and peeled back another layer of conflict, I move onto the next chapter.  At the end of the week I go through all the recent rewrites on my home computer.

I open Scrivener and use the speech tool to listen to what I’ve written. I found using the audio function helps me to pick up sentences that don’t sound right. I instantly pick up incorrect words and missing words too. It also helps me to hear the cadence and to correct it as I go.

So far I am half way through the third rewrite.  Once this phase of writing my novel is complete, my writing buddy in Melbourne will read the story for the first time and provide me with valuable feedback. He’s my next beta reader and I’ll be integrating his insights when I receive them.  So that’ll commence rewriting phase four.

Going forward, I know there are many more phases of writing my novel yet to come. So, to help me prepare, I have spent time brainstorming a list of editing topics that I will concentrate on as I keep combing through my story and polishing it.

Here are just a few of the editing topics I will be focusing on as I move forward with Tuppence Weatherstorm:

1. Have I captured all the senses in my story?  Do I favour one or two of the senses over the others? If so, I need to write in the missing senses to help bring out the ‘show’ aspect of the story.When I say senses, I’m talking about: sight, sound, smell, taste, touch.
2. Have I caught all the repetition in every scene?  What else can I cut or rewrite to build tension and suspense in the story and make it flow better?
3. Are all of my character’s voices individual?  If not, I will need to go back and do more character work, maybe interview my characters until their voices surface and then write that into the manuscript.
4. Do I have any words that repeat that I need to vary?  I already know that I like to use the word ‘scream’ a lot. I think that’ll be one for the search and rewrite list.
5. Do I have ‘tell’ words rather than ‘show’ words in my prose?  I’ll be searching for the word ‘felt’ and doing my best to rewrite the sentence so I show what is happening to my character in the situation.

There are so many more editing topics on my list but I won’t put them up here until I’ve been through them. Some I can’t put up here as I’ve learned them through private courses and the method belongs to the teacher.  But I’ll give you what I can once I know it works.

So far, I’ve been writing Tuppence Weatherstorm for a year and three months. I think that’s pretty fast for me, even though at times it feels like an eternity.

People ask me how long does it take to write and publish a book?  

And I have to say, “I don’t know.”

Right now I’m doing the work. I haven’t got to the stage of publishing my novel yet. And I think every writer is different. Every story is unique and even though there may be deadlines, a story unfolds in its own time. At least that’s how I look at it right now.

What I do know is that once I’ve exhausted all of my editing topics on my list it will be time to submit my manuscript to my editor again. That will be another phase in the birthing of my story as I discover what else needs attention and continue the process of crafting and polishing.

When my story is ready for publication I know it will be the best I could do with the knowledge, experience and guidance I had at the time.

And that’s all I can hope for.

Happy writing and reading!